Rock, Paper, Scissors: Positions in Play
13 May – 26 November, 2017
‘Rock, Paper, Scissors: Positions in Play’ explores a strand of artistic practice in the UAE through the analogy of play. Featuring existing works, re-fabrication of “lost” works and new commissions, the exhibition will stage a set of nested questions: where does “playfulness” in artistic practice come from? How and where is “play” nurtured? What does “play” do?
The exhibition will present works by five artists who are nationals and long-term residents who call the UAE home: Nujoom Alghanem, Sara Al Haddad, Vikram Divecha, Lantian Xie and Dr. Mohamed Yousif.
The accompanying publication will serve both as an additional site of the exhibition, and as its speculative expansion, with newly commissioned texts by contributors including: Aisha Bilkhair; Reem Fadda and Maisa Al Qassemi; Uzma Rizvi; Osman Samiuddin; and Murtaza Vali. Artists, architects and creative writers have also been invited to intervene, and respond to the themes of the exhibition, with new commissions by: Ramin Haerizadeh, Rokni Haerizadeh & Hesam Rahmanian; Deepak Unikrishnan; and, WTD Magazine.
Series of Programs
In line with the curatorial premise, several cultural institutions across the UAE have been invited to join the conversation in exploring the themes of the exhibition. Some of the confirmed institutions include Sharjah Art Foundation, The Art Gallery at NYU Abu Dhabi, Alserkal Programming, Tashkeel, Maraya Art Centre and Warehouse421 and London-based art school Central Saint Martins.
By developing these themes in ways they deem relevant, this will serve to extend, expand, critique, reflect and respond to the myriad issues that the exhibition may catalyze. More information on the institutions’ programs will be announced soon; you can also follow the story using the hashtags #positionsinplay, #uaeinvenice and #nationalpavilionuae.
Dubai based artist Hind Mezaina has been commissioned to develop a program for the National Pavilion UAE exploring the curatorial concepts through her own practice.
Research for the publication was done in collaboration with Art Jameel.